1955– · Estonian sculptor (born 1955)
Eesti Kunsti Oksjonid; Eesti Kunstimuuseum; NOBA; Tartu Kunstimuuseum
trained at Estonian Academy of Arts
Terje Ojaver (1955) is a sculptor, whose work includes abstract and figurative monumental painting, site-specific installations, performative paraphrases, classical sculpture, and video. She has also created notable monumental sculptures for public space. In the 1990s Terje Ojaver mostly focused on site and material specific installations, characterised by a conceptual approach to nature. During the 3rd Annual Exhibition of Soros Center for Contemporary Arts, Estonia titled “Biotopia”, she exhibited the work “Bio-Top” (1994) on the columns in front of the entrance of the Tallinn Art Hall building, measuring the level of air pollution. At the open-air art centre Le vent des forêts Lahaymeix’ in Lorraine, France, Ojaver built massive protective planters around living trees (1998). At the Tallinn Botanic Garden the artist covered the ground with a ruffling carpet of natural grass, highlighting the unity of man and nature. In Kuressaare she released blocks of ice taken from the Kuressaare Castle pond in winter and preserved in a freezer, back into the pond in spring (2001), demonstrating the eternal cycles of nature. With the show “Dance of the deceived” (Petetute tants, 2009) Ojaver begun her series of replicas of large rocks, continuing it at the Sculpture Quadrennial Riga on the square of St Peter’s Church (2016), followed by a display of the rocks as floating pieces in Swan Pond in Kadriorg Park (2016), and later in Århus, Denmark (2019). Ojaver's work ties together canons of classical sculpture and controversial technical or narrative solutions, blending high and low art. Her figure-based work (mostly using her own image) make up a significant part of her practice, telling stories of women's real and illusory positions, but also of herself as a wife, mother, daughter, her freedoms and obligations, strengths and resignations. Among these works we find “Blind” (Pime, 2011), “Awkward egg body” (Piinlik munakeha, 2015), “Self-portrait as burning fish” (Autoportree põleva kalana, 2014), “Self-portrait as a camel” (Autoportree kaamelina, 2012), “Self-Portrait as a tortoise” (Autoportree kilpkonnana, 2018). In creating these creatures as self-portraits Ojaver uses materials that during the past 50 years have been associated primarily with women artists: everyday objects, soft fabrics, etc. In her solo show “Stripclub” (Striptiisiklubi, 2015, Vabaduse Gallery) Ojaver exhibited “Madonna”, a work depicting a figure dressed in tarp, a bitter-looking woman, who will never be free of her burden. In contrast, she exhibited a series of bronze figurines focusing on d.
1 auction lots · 1 sold · 2026 · €20,100 — as the auction houses published them; not a valuation
6 works at NOBA, €4,925–€22,950. Prices as the galleries state them.
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Browse 14 works in the catalogue →
6 works with a picture; the first 6 here, all in the catalogue. Pictures for public-domain works, live gallery listings and the works galleries and artists show on their own pages, from those servers.
Similar artists — same period, media and subjects: Tiiu Kirsipuu · Tamara Ditman · Lembit Palm · Elin Tober · Irina Rätsep · Külli Tammik
Also trained at Estonian Academy of Arts: Eduard Wiiralt · Evald Okas · Andrus Johani · Johann Naha · Leonhard Lapin
Contemporaries in NOBA: Mari Kartau · Paco Ulman · Maxim Mjödov · Kadri Kangilaski · Ivi Arrak
By decade: 1990s · 2000s · 2010s · 2020s
By medium: Sculpture · Installation
Where the works are: Art Museum of Estonia · Tartu Art Museum
| Year | Title | Technique | Dimensions | Held by |
|---|---|---|---|---|
| 1990 | Imetaja | Bronze | 25 x 15 x 25 cm | Eesti Kunsti Oksjonid · EKL 3. päev — Maal & Skulptuur · Sold €20,100 |
| 1990 | Lipp | kõrgus: 41.0 cm; sügavus: 12.0 cm; laius: 46.0 cm | Tartu Kunstimuuseum | |
| 1990 | Ussipulm | Eesti Kunstimuuseum | ||
| 1992 | Põgenev püramiid | casting | kõrgus: 21.0 cm; laius: 24.5 cm; sügavus: 34.5 cm | Eesti Kunstimuuseum |
| 1995 | Peeter Linnap | casting | kõrgus: 44.0 cm; sügavus: 22.5 cm; laius: 17.0 cm | Eesti Kunstimuuseum |
| 1995 | Thomas McEvilley | casting | kõrgus: 44.0 cm; sügavus: 22.5 cm; laius: 17.0 cm | Eesti Kunstimuuseum |
| 2009 | Sisyphose pruut | filmimine | Tartu Kunstimuuseum | |
| 2010 | Sõbra õlg | mixed technique | Tartu Kunstimuuseum | |
| 2018 | Autoportree kilpkonnana | Sculpture | 75 x 125 cm | NOBA |
| 2019 | Elajas | Installation | 199 x 300 cm | NOBA |
| 2020 | Hüpates üle varju | Sculpture | 265 x 90 cm | NOBA |
| 2022 | Kuldtikandiga naine | Sculpture | 80 x 200 cm | NOBA |
| 2023 | Naine puulõhkumismasinal | Sculpture | 140 x 150 cm | NOBA |
| 2024 | Maria hargiga | Sculpture | 185 x 80 cm | NOBA |
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Museum records from MuIS and the EKM Digital Collection; gallery stock from the galleries' own catalogues; auction results as Haus Galerii, Vernissage, Allee galerii, Vaal galerii, E-Kunstisalong, Eesti Kunsti Oksjonid and Kunstikoda published them, and the lots Osta Noort Kunsti offered (it publishes no results). Full catalogue · Corrections, removals, questions: info@museaal.ee · Privacy