1984– · Estonian artist (born 1984)
Eesti Kunstimuuseum; Temnikova & Kasela; Veneetsia biennaal, Eesti paviljon
trained at University of Tartu
Katja Novitskova (1984) deals in her work with the depiction of evolutional development, using internet as the source of visual data. In the early 2010s, she was among the first artists, who took post-internet for subject matter and designed its aesthetics. Novitskova’s situates in the crossing of visual culture and science fiction, inducing discomfort and enstrangement by blending futuristic fantasy with everyday reality. In general, Novitskova works in installative method, using photo-sculptures as her main medium. ” is a pioneering handbook, which offers solutions for coping with the situation in which internet has become a pre-condition and therefore the senses of a human-being are flooded with signs. In 2017, Katja Novitskova represented Estonia in 57th Venice Biennial with the exhibition “ ”, which focused on the digital culture of contemporary times, looking back at it from a science-fictional position, when the world as we know it today, didn’t exist. That brought up questions of recognizing the hi-tech reality – who dares to say that the actual life is fantastic film and future is now?
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Browse 32 works in the catalogue →
Approximation Mars I
Exhibition view MoMA, NYC "Pattern of Activation" (Jumping Spider, Termite Cathedral Mounds, Growth Potential)
Pattern of Activation (Mamaroo nursery, dawn chorus)
Earth Potential (Earthworm, Earth)
Earth Potential (Embryo)
Earth Potential (Cuttlefish Love, Earth)
Earth Potential (Hydra, Venus)
Earthware (Wolf)
Earthware (Albino Deer), in collaboration with PWR
Earthware (Optical Flow Horses)
Earthware (Random Forest, Deer Kiss 01)
Earthware (Random Forest, Deer Kiss 02)
Earthware (Random Forest, Deer Kiss 03)
Earthware (Random Forest, Deer Kiss 04)
Earthware (Random Forest, Deer Kiss 06)
Mamaroo (storm time, robotic bugs)
Mamaroo (storm time, brains)
Exhibition view, If Only You Could See What I've Seen With Your Eyes, Estonian Pavillon, 57th Venice Biennale
Exhibition view, CC Foundation, Shanghai
Earthware
Soft Approximation (Looking Glass Deers Kissing 03)
Earthware (8/6/2018, When The Samples Are Biased... )
Soft Approximation (Fungal Growth 02)
Soft Approximation (Fungal Growth 01)
Earthware (Random Forest, Deer Kiss 05)25 works with a picture; the first 25 here, all in the catalogue. Pictures for public-domain works, live gallery listings and the works galleries and artists show on their own pages, from those servers.
Similar artists — same period, media and subjects: Kristina Õllek · Sigrid Viir · Al Paldrok · Krista Mölder · Toomas Kuusing · Jaanus Samma
Also trained at University of Tartu: Richard Uutmaa · Peeter Allik · Eerik Haamer · Siim-Tanel Annus · Maire Männik
Contemporaries in Temnikova & Kasela: Tobias Kaspar · Fred Kotkas · Kärt Ojavee · Carlos Motta · Rhys Coren
By decade: 2010s · 2020s
By medium: Print · Other · Installation
Where the works are: Art Museum of Estonia
| Year | Title | Technique | Dimensions | Held by |
|---|---|---|---|---|
| 2014 | Approximation Mars I | Digital print on aluminum, Cutout display, plant granulat | 140×240×100cm | Temnikova & Kasela |
| 2015 | Aktiviseerimise muster (Planetaarsed sidemed) (Pattern of Activation (Planetary Bonds)) | kõrgus: 124.0 cm; sügavus: 97.0 cm; laius: 89.0 cm | Eesti Kunstimuuseum | |
| 2015 | Aktiviseerimise muster (Planetaarsed sidemed) (Pattern of Activation (Planetary Bonds)) | digital print | kõrgus: 183.5 cm; sügavus: 41.0 cm; laius: 135.0 cm | Eesti Kunstimuuseum |
| 2015 | Aktiviseerimise muster (Planetaarsed sidemed) (Pattern of Activation (Planetary Bonds)) | digital print | sügavus: 29.3 cm; läbimõõt: 148.0 cm | Eesti Kunstimuuseum |
| 2015 | Aktiviseerimise muster (Planetaarsed sidemed) (Pattern of Activation (Planetary Bonds)) | läbimõõt: 145.0 cm; kõrgus: 88.0 cm | Eesti Kunstimuuseum | |
| 2015 | Exhibition view MoMA, NYC "Pattern of Activation" (Jumping Spider, Termite Cathedral Mounds, Growth Potential) | digital print on aluminum, cutout display, polyurethane, steel | 450×300×240cm | Temnikova & Kasela |
| 2016 | Mamaroo (storm time, brains) | electronic baby swing, polyurethane resin, epoxy foam clay, wall fixtures | 110×90×90cm | Temnikova & Kasela |
| 2016 | Mamaroo (storm time, robotic bugs) | electronic baby swing, polyurethane resin, epoxy foam clay, wall fixtures | 110×90×90cm | Temnikova & Kasela |
| 2017 | Earth Potential (Cuttlefish Love, Earth) | digital print on aluminum, cutout display, steel and aluminum armature | 230×239cm | Temnikova & Kasela |
| 2017 | Earth Potential (Earthworm, Earth) | digital print on aluminum, cutout display, steel and aluminum armature | 196×260cm | Temnikova & Kasela |
| 2017 | Earth Potential (Embryo) | digital print on aluminum, cutout display, steel and aluminum armature | 180×214cm | Temnikova & Kasela |
| 2017 | Earth Potential (Hydra, Venus) | digital print on aluminum, cutout display, steel and aluminum armature | 180×185cm | Temnikova & Kasela |
| 2017 | Exhibition view, CC Foundation, Shanghai | Temnikova & Kasela | ||
| 2017 | Exhibition view, If Only You Could See What I've Seen With Your Eyes, Estonian Pavillon, 57th Venice Biennale | Temnikova & Kasela | ||
| 2017 | If Only You Could See What I've Seen with Your Eyes | Veneetsia biennaal, Eesti paviljon | ||
| 2017 | Pattern of Activation (Mamaroo nursery, dawn chorus) | electronic baby swings, aluminum folding stands, plastic hoses, lasers | Temnikova & Kasela | |
| 2018 | Ligikaudsus (rajakaamera öine võte, gnuud). (Approximation (trail camera night vision and wildebeests)) | digital print | Eesti Kunstimuuseum | |
| 2020 | Aktiviseerimise muster (C. elegans) / Pattern of Activation (C. Elegans) | mixed technique | laius: 450.0 cm; pikkus: 250.0 cm; kõrgus: 250.0 cm | Eesti Kunstimuuseum |
| 2022 | Earthware | Temnikova & Kasela | ||
| 2023 | Earthware (8/6/2018, When The Samples Are Biased... ) | UV ink transer, epoxy clay, nail polish, aluminium frame | 122×163×3cm | Temnikova & Kasela |
| 2023 | Earthware (Albino Deer), in collaboration with PWR | UV print, epoxy clay, nail polish, aluminium frame | 118×157×3cm | Temnikova & Kasela |
| 2023 | Earthware (Optical Flow Horses) | UV print, epoxy clay, nail polish, aluminium frame | 101×184×3cm | Temnikova & Kasela |
| 2023 | Earthware (Random Forest, Deer Kiss 01) | UV print, epoxy clay, nail polish, aluminium frame | 60×60×3cm | Temnikova & Kasela |
| 2023 | Earthware (Random Forest, Deer Kiss 02) | UV print, epoxy clay, nail polish, aluminium frame | 60×60×3cm | Temnikova & Kasela |
| 2023 | Earthware (Random Forest, Deer Kiss 03) | UV print, epoxy clay, nail polish, aluminium frame | 60×60×3cm | Temnikova & Kasela |
| 2023 | Earthware (Random Forest, Deer Kiss 04) | UV print, epoxy clay, nail polish, aluminium frame | 60×60×3cm | Temnikova & Kasela |
| 2023 | Earthware (Random Forest, Deer Kiss 05) | UV ink transer, epoxy clay, nail polish, aluminium frame | 60×60×3cm | Temnikova & Kasela |
| 2023 | Earthware (Random Forest, Deer Kiss 06) | UV print, epoxy clay, nail polish, aluminium frame | 60×60×3cm | Temnikova & Kasela |
| 2023 | Earthware (Wolf) | UV print, epoxy clay, nail polish, aluminium frame | 118×156×3cm | Temnikova & Kasela |
| 2023 | Soft Approximation (Fungal Growth 01) | polyurethane resin, UTR-8100 resin, water-based pigments | 18×24×7cm | Temnikova & Kasela |
| 2023 | Soft Approximation (Fungal Growth 02) | polyurethane resin, UTR-8100 resin, water-based pigments | 18×22×8cm | Temnikova & Kasela |
| 2023 | Soft Approximation (Looking Glass Deers Kissing 03) | polyurethane resin, UTR-8100 resin, UTR 3000 resin, water-based pigments | 50×48×18cm | Temnikova & Kasela |
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Museum records from MuIS and the EKM Digital Collection; gallery stock from the galleries' own catalogues; auction results as Haus Galerii, Vernissage, Allee galerii, Vaal galerii, E-Kunstisalong, Eesti Kunsti Oksjonid and Kunstikoda published them, and the lots Osta Noort Kunsti offered (it publishes no results). Full catalogue · Corrections, removals, questions: info@museaal.ee · Privacy